While Erik Skjoldbjærg built upon the established cinematic traditions of procedural crime thrillers, in the light of the recent trend of atmospheric crime procedurals such as True Detective, The Killing, Prisoners, 1997’s Insomnia, in hindsight looks to be a direct aesthetic antecedent for these other more successful pictures/series.
Friday, 22 August 2014
Monday, 4 August 2014
The Bresson brand of neo-realism is perhaps exemplified best with this unconventional character study of a Parisian thief desperately in need to self-fulfillment. Remarkably Bresson's seemingly simple approach uncluttered by the elements of traditional cinematic narrative allows the master filmmaker to create as much uncompromising tension as anything in Alfred Hitchcocks's filmography.