The Bard’s tale of the ambitious Scottish lord who with his wife conspire to take the throne of Scotland by hook or crook has always made for great cinema. It’s one of the more violent and action-packed of Shakespeare plays and through the eye of Roman Polanski, at the peak of his abilities, turns the story into a ruthless and bloody parable of ambition - a film even more resonant with the Charles Manson tragedy only a couple years behind this production.
Thursday, 30 October 2014
Monday, 6 October 2014
If you were to simply describe the plot of Gillian Flynn’s pulpy bestseller it would come off as an outrageous Joe Eszterhas-style potboiler ripped from the era of early 90’s sexual thrillers. But when orchestrated by a master of the genre, at the top of his game, where other filmmakers would have made this picture into a sloppy ham-fisted mess, David Fincher makes two and half hours a completely engrossing experience, terrifying and witty in equal measure and self-aware enough not to take itself too seriously.