Jia Zhangke's revered masterwork of the last decade shines as one of the definitive films of this unique period in political, economic and industrial change in China. Still Life, a haunting medidative work, magnificently juxtaposes the journey of two lost souls in search of their loved ones against the background of a centuries-old rural way of life about to be drowned for all eternity by rapid progress.
Thursday, 12 March 2015
In the late 1950s the prolific duo of director Budd Boetticher and star Randolph Scott made a number of Westerns that would influence filmmakers from the French New Wave, Martin Scorsese, Sergio Leone and more. 'The Tall T', with its minimalist aesthetic, masterfully distills the Western genre down to its core as a claustrophobic actioner of the highest order.
Monday, 9 March 2015
Gone With the Wind is that rare case where its desire for ‘grandeur’ trickles down successfully through every aspect of production. From Selznick’s madness for control, the obscene four-hour running time, Max Steiner's memorable score, the film’s massive production elements, even down to Scarlett O’Hara’s character grand character arc, the film continually leaps over the audiences’ high expectations, which with much room to spare. Its grandeur, spectacle and pop culturally zeitgeist significance is still a marvel and remains largely untouched in the annals of cinema history.
Friday, 6 March 2015
One of Sam Peckinpah's handful or more unquestionable triumphs, a classic morality tale that furthers his career examination of violence and the specifically American perception of it. While The Wild Bunch was told using the tenets of the Western genre and the familiar themes of male camaraderie, heroism, anti-heroism and machismo, Straw Dogs has it's hero as a cowardly pacifist forced to find his latent primal urges to protect his home and family.
Thursday, 5 March 2015
It takes a special kind of filmmaker at the right point in his/her career to make a film so grand and admirable a failure. No matter which version of Legend you watch - the 90-minute one with the then-'modern' Tangerine Dream score or the lengthier version with the Jerry Goldsmith score - neither one works. It’s not the score or the running time, and it’s not about what was cut out or left in. Simply put, the problem was Mr. Scott’s overindulgence with his visual palette related to character, story, tone and all the other storytelling elements.
Tuesday, 3 March 2015
The frank and dispassionate discussions and depictions of sex of an underage teen seen through the eyes of an even younger pre-teen girl caused much discussion back in the day. The provocative effect of the exposed male and female genitalia in Fat Girl never overwhelms Catherine Breillat’s smooth and calculated character study. The graphicness of the sex is wholly necessary to the mood and a titilating piece of cinema, devious, challenging, but so rewarding.
Monday, 2 March 2015
This film gets me every time. The final moments, when the Chief discovers McMurphy’s been lobotomized, kills him out of pity, then completes Mac's metaphorical task of lifting the water fountain off the ground, plunging it through the window, thus releasing him into the wild to freedom, is as triumphant a climax as their ever was in cinema.