DAILY FILM DOSE: A Daily Film Appreciation and Review Blog: John Hughes
Showing posts with label John Hughes. Show all posts
Showing posts with label John Hughes. Show all posts

Tuesday, 21 September 2010

National Lampoon's Vacation

National Lampoon’s Vacation (1983) dir. Harold Ramis
Starring: Chevy Chase, Beverly D’Angelo, Randy Quaid, Anthony Michael Hall, Christie Brinkley

***1/2

By Alan Bacchus

Vacation was always one of my favourite comedies growing up a child, and though I had seen snippets of the film on television numerous times between 1983 and today, I don’t know if I ever watched the whole movie through again. Perhaps Ii did, but certainly not the original uncut version, the version not ‘edited-for-television’, the version with pot, boobs, sex and other naughty 80’s behaviour. It holds up marvellously, not because of these fun elements, but the genius of Chevy Chase, comedian extraordinaire, and arguably, at the time, the best comedian working in the movies (Eddie Murphy runs a close second maybe?).

It’s a fun, rambunctious, politically incorrect script without the sappy family-friendly sentimentality or lessons of morality which would be shoehorned into a modern-day version of this story. Clark Griswald (Chase) is a typical suburban dad, living in a suburb of Chicago, a lovely girl-next-door pretty wife, and two perky teenaged kids. It only takes one scene or two for director Ramis and writer John Hughes to paint a clear picture of Clark - his encounter with the slimy used case salesman typifies his false cocksure attitude, specifically his desperate need to project his role as the confident patriarch to his son. This character is remarkably consistent throughout - not matter how absurd the gags get, Chevy Chase never betrays the goals and desires of his character.

After he gets sucked into buying a shitty lemon for a car, and even despite protests from his kids in choosing the Disney-disguised Wally World instead of Hawaii, they embark on a road trip comprised of one disaster after another. Smaller moments of pathetic hilarity such as Clark’s confusion about where the gas tank is located on his car to the bigger set pieces like his visit to wife’s brother in-law it's a goldmine of comedy every step of the way. It’s this trip which helped give reason to create three sequels. Cousin Eddie played by Randy Quaid, is the only doofus that could trump Clark’s doofusness. Together they make a classic comic duo.

Some gags are shamelessly low brow specifically when Aunt Edna’s dog urinates on the sandwiches. The best moments highlight Chevy Chase's brilliant comic timing and skills with physical humour. As mentioned, the gas pumping is great, same with the vibrating bed scene. From the way his picks at the change before placing it in the machine to the pitch change in his voice when the bed starts shaking really fast as well as his sunstroked journey across the Arizona desert to find a gas station, Chevy can make his big lanky frame consistently hilarious.

Anthony Michael Hall turns in a great supporting performance as Rusty who is more mature than his Dad, but conscious of his vulnerability and insecurity as a father figure. Smaller cameos such as Eugene Levy as the car salesman, John Candy as the pathetic Wally World attendant and Eddie Bracken as the spitting image of Walt Disney are perfectly peppered throughout.

The Warner Bros Blu-ray of course, features the original uncut version reinstating rating R moments such as Beverly D’Angelo’s token 1980’s boob shot in the shower, the nudie magazines which Rusty and his cousin bond over as well as the pot Audrey and Cousin Vicki (played by Jane Krakowski!) smoke at Cousin Eddie’s house.

Oh yeah Christine Brinkley is still smoking hot driving that Ferrari. It makes a worthy dose of nostalgia and a good addition to one’s Blu-Ray collection.

National Lampoon’s Vacation is available on Blu-Ray from Warner Home Video

Sunday, 10 May 2009

Ferris Bueller's Day Off


Ferris Bueller’s Day Off (1986) dir. John Hughes
Starring: Matthew Broderick., Mia Sara, Alan Ruck, Jeffrey Jones, Jennifer Grey

***1/2

In the special features of the Blu-Ray edition of "Ferris Bueller's Day Off" it’s explained by the film's producer the speed with which John Hughes writes. And this mid-80’s classic was apparently written in two weeks, quickly moving from an idea in his head to final draft to production with amazing speed. The fact is, Hughes’ remarkably profilic output of quality between 1982 and 1992 helped shaped mainstream comedy. Not only did he direct 8 films, he wrote 13 other films, including all three Vacation films and two Home Alone flicks. Now Hughes is a recluse, gone into a Terrence Malick-like hibernation, working as an uncredited script doctor or under a pseudonym.

Well, in his heyday he had the pulse of the youth zeitgeist. After endearing classics “Sixteen Candles” and “The Breakfast Club” “Ferris Bueller’s Day Off” is more of the fantasy realm of teenage comedy in the vain of “Weird Science”. After a dozen viewings or so the film doesn't quite have the sharpness it did upon first viewing, but "Ferris Bueller's Day Off" still represents an important and highly watchable archive of 80s popular cinema.

Matthew Broderick is the titular hero, Ferris Bueller, a confident overachiever, the kind of person who gets by on charm and amiability – qualities which drives his sister bananas. It’s just like an ordinary day and he decides to play hookey, for no other reason, than 'just because'. When the film opens, he already has the plan meticulously set-up. First he dupes his out-to-lunch parents with ease by playing puppy dog, then he recruits his best friend Cameron (Alan Ruck) into helping him dupe the principal into getting his girlfriend Slone (Mia Sara) out of school too. By mid morning the trio are off in Cameron’s father’s red Ferrari cruising downtown Chicago for a day of adventure. Meanwhile the school principal (Jeffrey Jones) can smell a rat and makes it life's work to take down Ferris and avenge his humiliation.

It's mostly juvenile stuff from Hughes, a fresh change of pace from the self-important melodrama of “The Breakfast Club”. Unlike “Sixteen Candles”, arguably his best film, it’s a largely vacant and disposable film. Of course, not that everything needs to make a point, and for the sake of good wholesome comedy Ferris Bueller delivers.

Hughes plays with the visual style more than usual, crafting some clever scenes with his editor. Broderick as the protag is like Michael Caine in Alfie, breaking the forth wall and talking straight to camera, exhibiting the same smug cockiness  – minus the crass women-chasing.

It all makes for an interactive experience, and for an 11 year old seeing it for the first time in 1986, a heroic depiction of the joys of youthful irresponsibility.  It's one of those films that gets etched in one's memory. The same probably couldn't be said of anyone of a mature age, and so, like most of John Hughes' film, "Ferris Bueller" has become a generational classic. Enjoy.

"Ferris Bueller's Day Off" is available on Blu-Ray from Paramount Picture Home Entertainment